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nathan
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   Posted 4/18/2006 3:11 PM (GMT -5)    Quote This PostAlert An Admin About This Post.
I thought that a rather sound post, Mike. Thank you.


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terry
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   Posted 4/19/2006 7:32 PM (GMT -5)    Quote This PostAlert An Admin About This Post.
nathan said...


Wow, Terry that's a rather generous offer. The easiest way to read something of mine is to scroll down to the Flashing Swords part of this board and read my stories in the last two issues. Ecspecially the one in #4 as it earned me my tag-line <g>

I read The Blood Meridian.Over all I liked it. I have positive and less positive thoughts/opinions.
 
Would you like me to make my comments here or in private?  I'm totally caught up in the last couple of chapters of Shaman's Crossing right now and want to finish it before I do anything else today, so let me know how you'd like to proceed and then I'll get down to putting my thoughts together.


"If you confront the universe with good intentions in your heart, it will reflect that and reward your intent. Usually. It just doesn't always do it in the way you expect." Andreas Katsulas (G'kar) 1946-2006

http://www.zteamproductions.com/b5stuff/Andreas.html

 

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nathan
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   Posted 4/19/2006 7:39 PM (GMT -5)    Quote This PostAlert An Admin About This Post.
http://www.tangentonline.com/index.php?option=com_content&task=view&id=600&Itemid=267

Follow that link for the offical review and see if Ms. Llyod has summed up any of your opinions, lol.
 
EDIT: Terry it occured to me after I posted the above that it might come across as if I were being dismissive - which isn't what I meant at all. I meant it more like could you imagine me getting paid for that story if Ms. Llyod had been the editor instead of Howard? <g>
 
The fundamental disconect between the way Howard read that story and then bought it and the way Ms. Llyod read that story and then reviewed it is more along the lines of what I was discussing than a critique of anyone story in particular - Blood Meridian just seems the easiest to point out as it is the one of mine that ellicited the strongest reactions on either ends of the spectrum. I've gotten much fewer positive emails from people who've read stories that I thought were written much stronger, from a technical sense anyway.
 
So I apologize if I came across as other than I intended - I would of course value your opinion as I do anyone who reads a story of mine, but by all means there is no need for you to drop what you're doing like this was an assignment or some such.
 
Hope I came across a little better there.
Nathan.


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terry
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   Posted 4/19/2006 9:06 PM (GMT -5)    Quote This PostAlert An Admin About This Post.
nathan said...
http://www.tangentonline.com/index.php?option=com_content&task=view&id=600&Itemid=267

Follow that link for the offical review and see if Ms. Llyod has summed up any of your opinions, lol.
 

I had no trouble what ever understanding the context of you giving me that link. thanks.
 
Unfortunately, I do in fact concurr with some of her points; I however won't offer my comments without explaination. there is a purpose for this 'experiment' and that is for you to see your work more clearly 'through the eyes of another'.
 
give me a day or two.
 
 I don't look on this as some sort of 'assignment'. It is as much a learning experience for me as it will be for you, and I appreciate you allowing me to look at your work and comment on it.


"If you confront the universe with good intentions in your heart, it will reflect that and reward your intent. Usually. It just doesn't always do it in the way you expect." Andreas Katsulas (G'kar) 1946-2006

http://www.zteamproductions.com/b5stuff/Andreas.html

 

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Kuroboshii
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   Posted 4/19/2006 10:49 PM (GMT -5)    Quote This PostAlert An Admin About This Post.
I think you can safely reserve the right to send your work to whoever is most likely to buy it, and if your experience shows that females editors don't tend to connect with your work, I don't see the problem in preferring male editors--if I wrote a novel most likely to be enjoyed by Christian readers, I don't think I could be faulted to sending it to Christian editors.  Men and women certainly tend (in general, of course) to enjoy slightly different kinds of fiction.  My sister reads and loves plenty of books I just can't connect with.
 
I think Beth put it best--try, as much as possible, to write real characters rather than stereotypes.  You don't need to emasculate male characters to have strong female ones, and strong female characters don't have to be mercenaries, warrior princesses, and sorceresses.  That's just as much a cliche as completely helpless damsel in distress.


Sean T. M. Stiennon (AKA Suuran Songforge)

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terry
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   Posted 4/20/2006 4:46 AM (GMT -5)    Quote This PostAlert An Admin About This Post.
Suuran Songforge said...
I think you can safely reserve the right to send your work to whoever is most likely to buy it, and if your experience shows that females editors don't tend to connect with your work, I don't see the problem in preferring male editors--
On the surface that seems perfectly logical, except that if Nathan is sending his work to the 'proper markets', those asking for sword and sorcery type, highly action oriented stories (that seem to be his preferred type to write) and these venues are enlisting female editors, it's only reasonable to expect that these editors are knowledgable about the 'idosyncracies' of that sort of tale when it come to gender roles and depictions. A swashbuckling historical is almost by definition going to have burly chested heroes with shady histories and buxom women in distress, lots of fighting by men and fainting by women... why would you undertake to work at a place that is looking for that sort of tale if you aren't prepared to accept to some degree at least the kind of stereotypes it will likely contain?
 
 


"If you confront the universe with good intentions in your heart, it will reflect that and reward your intent. Usually. It just doesn't always do it in the way you expect." Andreas Katsulas (G'kar) 1946-2006

http://www.zteamproductions.com/b5stuff/Andreas.html

 

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nathan
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   Posted 4/20/2006 12:48 PM (GMT -5)    Quote This PostAlert An Admin About This Post.
Let me illustrate: Sent a story to an Australian magazine paying near pro rates. Got a rejection on the story by the editor [male] listed on the Ralan link. It came out at over a page talking about how he couldn't use a real world setting as it was outside of his mission statement but then he went on to really praise my writing and heartily encourage me to send him more stuff that was a tighter fit. It was the best rejection I've ever gotten I think.

Okay. I write a pure fantasy story about 3 months later. Polished it up and, as you might expect after getting such a love-fest rejection and warm welcome, sent it back to them. This time I get the assistant editor [female]. She was hardly rude in her rejection, not even curt; just brief. It took her 2 sentences to talk about how the piece didn't hold her interest.

Coincidence? What if that piece had ended up in the first editors pile that day? I eventually sold both stories to markets of similiar semi-pro rates so the stories themselves were saleable - it was literally the difference in editors, but was it a gender difference?

If it was then female editors have become the slush pile equivilant of sea mines in my ocean of submissions. [tortured analogy anyone?] lol.

I realize this is anecdotal but really after a few anecdotals your index of suspicion rises. I think I'll be trying, to the best of my ability, to follow the advice given above. Thanks all.


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erazmus
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   Posted 4/20/2006 1:04 PM (GMT -5)    Quote This PostAlert An Admin About This Post.
Heck Nathan, submit and be damned. No use worrying about it, you can never tell who's going to reading your submissions, no matter who the editor is. Certainly it would be of no use trying to modify your writing to appeal more to college educated liberal women working in the publishing industry, as the trick is really to appeal to people reading the market. Editors, commercial ones anyway, are trying to find fiction that appeals to their readers, right? Just who those readers are and what they want is the big mystery. The one publishers lay awake staring at the ceiling at 3 am thinking about.
So write what you write, continue to get better at that and keep plugging away. Eventually you will find an audience, I believe a sizable audience and it will become easier for you to make sound desicions as to where to send your work and editors (of both genders), knowing you have an audience, will cut you some slack in differment to that audience.
Damn few writers ever stop getting rejected. But most established writers cut down on it by becoming a known quality. You are well on the way, so chin up.
Mike


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"An Incident at Black Tongue Tavern" in _Bash Down the Door and Slice Open the Badguy_ from Fantasist Enterprises

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nathan
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   Posted 4/20/2006 1:17 PM (GMT -5)    Quote This PostAlert An Admin About This Post.
Thanks Mike. Along those lines I just got the manuscript Liesure shot down printed out and prepped to go out in the mail today to DAW.

Interestingly enough DAW requests the whole novel, not just 3 chapters and a synopsis so my hopes are actually up in a sense.

On an aside it cost me 30-bucks to print the think out, lol. Apperantly 310 pages equal one ink jet cartridge exactly. That's 81k in words. I shudder to think about people going through 60-bucks to bet those 120k BFF printed out.

Maybe they'll pick my manuscript out of the pile cause it seems easier do to being smaller, lol.
Fingers crossed.


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Frank Menser
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   Posted 4/20/2006 4:09 PM (GMT -5)    Quote This PostAlert An Admin About This Post.
Good luck with that. my experiences with DAW was very long waiting periods folowed by a Form rejection slip. At $30 a pop it gets expensive fast, and as one of the upper tier publishers you are competing against a lot of subs.

That's what I mean't by a tough nut.

Frank


It's just my imagination...running away with me.
 
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nathan
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   Posted 4/20/2006 4:31 PM (GMT -5)    Quote This PostAlert An Admin About This Post.
Thanks Frank. I assume you mean upper tier as oppossed to smaller presses? Among mass market paperback publishers I wasn't aware that they were particularly elite, being one of the handful still excepting non-agent subs - so I appreciate the heads up.

Still the goal is that level, rejection being part of the process. You are right about it getting expensive. Could add up to $90 or $120 bucks a year in printing costs alone - with median wait times.


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erazmus
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   Posted 4/20/2006 4:48 PM (GMT -5)    Quote This PostAlert An Admin About This Post.
Nathan,
Have them return your manuscript. The postage is much less than the printing costs.
Mike


Michael D. Turner
"Psyched Up" in _Turn the other Chick_-ed. E. Friesner-Baen books
www.baen.com
"Two Ravens" in Amazing Journeys Magazine #9 Sept. 05
"An Incident at Black Tongue Tavern" in _Bash Down the Door and Slice Open the Badguy_ from Fantasist Enterprises

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terry
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   Posted 4/20/2006 8:47 PM (GMT -5)    Quote This PostAlert An Admin About This Post.
Hello everyone.
 
I took a look at The Blood Meridian. I am not an editor. I've never submitted a piece of fiction for publication. The concern expressed By Nathan was that women seemed disproportionately unwilling to accept his work. It was wondered if perhaps his depictions of women were less than desirable from a female perspective. He felt not as evidenced by the thought that if that were the case the men buying his work were also 'guilty' of the same 'issues' he is.
 
What I did was dead simple, and can be undertaken by anyone here, simply by going to the story and making a few notes as you read,which is why I decided to put it on the forum.These are Nathan's words. I believe context DOES matter,and for the most part I wasn't especially offended or angered, but when you set it out like this ... maybe not so great to some people.
 
I have other comments and thoughts about this story and they will be forthcoming but they will form my OPINION and this is simple fact, there for all to see.
 
 

The Depiction of Women in The Blood lace w:st="on">Meridianlace>>>

> >

Simone: ‘mistress’, prostitute (‘ “gifts” from her patrons’) Madam: (‘invested … in brothels’) ‘courtesan’, Lesbian: ( “Because he is jealous of my love for the girl.” She replied. “I love Annette in ways he can never understand and it frightens him.”)

> >

> >

Annette:  Lesbian, (‘... Loved by a woman of means and influence.’ )  ‘Bound face down’, 'wept' , 'cried', ‘agony’, ‘suffering, ‘a mess and even as half-crazed’, ‘petite girl’, ‘she clung to him like a child’, ‘she fell unconscious.’/ ‘Pain jolted Sabbath awake’ { Annette does not speak at all}

> >

> >

Unnamed Female:  ‘A female slave in a maid’s uniform cowered in the hall, eyes rolling with fear’.   screamed her fear’, ‘pointed a shaking hand

 
 
 
 


"If you confront the universe with good intentions in your heart, it will reflect that and reward your intent. Usually. It just doesn't always do it in the way you expect." Andreas Katsulas (G'kar) 1946-2006

http://www.zteamproductions.com/b5stuff/Andreas.html

 

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nathan
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   Posted 4/20/2006 8:55 PM (GMT -5)    Quote This PostAlert An Admin About This Post.
Terry, one note. I meant the governor could not understand the love for the girl because is was a pure, non-exploitive love; not lesbian.

The rest certainly is.


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terry
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   Posted 4/20/2006 9:26 PM (GMT -5)    Quote This PostAlert An Admin About This Post.
nathan said...
Terry, one note. I meant the governor could not understand the love for the girl because is was a pure, non-exploitive love; not lesbian.

The rest certainly is.

and yet that reviewer (Lloyd) thought the same thing I did...


"If you confront the universe with good intentions in your heart, it will reflect that and reward your intent. Usually. It just doesn't always do it in the way you expect." Andreas Katsulas (G'kar) 1946-2006

http://www.zteamproductions.com/b5stuff/Andreas.html

 

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nathan
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   Posted 4/20/2006 9:36 PM (GMT -5)    Quote This PostAlert An Admin About This Post.
You both have dirty minds?

If it were [and I don't object to the leap in any real sense, it works well enough in the flavor of the story] am I then to correlate for the purpose of this illustration that lesbian = derogative? That would acctually be pretty educational for my part.

I'm not really objecting, the reductionism does seem to exist without noted context, but I wonder how it would work if done to the male characters. It also seems to be one which ignores neutral describers or positive ones. Sort of like reducing the bible to the words Hell, Sodomy, and Damned for instance.

Do I hear you saying this is how stories are reduced?


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terry
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   Posted 4/20/2006 10:40 PM (GMT -5)    Quote This PostAlert An Admin About This Post.
nathan said...
You both have dirty minds?

If it were [and I don't object to the leap in any real sense, it works well enough in the flavor of the story] am I then to correlate for the purpose of this illustration that lesbian = derogative? That would acctually be pretty educational for my part.

I'm not really objecting, the reductionism does seem to exist without noted context, but I wonder how it would work if done to the male characters. It also seems to be one which ignores neutral describers or positive ones. Sort of like reducing the bible to the words Hell, Sodomy, and Damned for instance.

Do I hear you saying this is how stories are reduced?

   "In his house now lay another young and beautiful girl, this one loved as passionately as he had loved his Marie. Loved by a woman of means and influence"
 
I don't have a dirty mind (well maybe I do  turn   but it's not working while I'm working)
 
I don't know how this does not imply a sexual relationship between the women, for surely we are not to imagine that Sabbath had a chaste relationship with Marie.
 
and I wasn't suggesting it was derogatory merely a descriptor of their relationship implied by your own words.
 
I'll happily do the same process for the men if you'd like.
 
 


"If you confront the universe with good intentions in your heart, it will reflect that and reward your intent. Usually. It just doesn't always do it in the way you expect." Andreas Katsulas (G'kar) 1946-2006

http://www.zteamproductions.com/b5stuff/Andreas.html

 

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nathan
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   Posted 4/21/2006 12:14 AM (GMT -5)    Quote This PostAlert An Admin About This Post.
I thought the list was meant to show depictions that might be found to be possibly offensive to woman editors. I must have misunderstood?
 
Innuendo I don't object too. Flat declaration does seem to be pushing it in my mind.
 
I would love to see this done with the men. This is absolutely fascinating if done precisely and objectively. Is in possible to manipulate the outcomes by choosing some describers in favor of others to fit a preconcieved notion?
 
Never heard of this before, thanks much.
 
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terry
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   Posted 4/21/2006 2:54 AM (GMT -5)    Quote This PostAlert An Admin About This Post.
nathan said...
I thought the list was meant to show depictions that might be found to be possibly offensive to woman editors. I must have misunderstood?
 
Innuendo I don't object too. Flat declaration does seem to be pushing it in my mind.
 
I would love to see this done with the men. This is absolutely fascinating if done precisely and objectively. Is in possible to manipulate the outcomes by choosing some describers in favor of others to fit a preconcieved notion?
 
Never heard of this before, thanks much.
 
 

 
Hey Nathan, I just put together a response that I promptly managed to lose because, well, I'm a dolt sometimes... I'm too weary to reconstruct it now but truly, this is no 'special technique' or anything it's just me looking for a quick way to find out if the words used to describe the women in this story might have bothered some female editors.
 
More tomorrow I promise...I did a quick list of 'male descriptors' too for you to consider.
 

The Depiction of Men in The Blood lace w:st="on">Meridianlace>>>

> >

> >

Sabbath:  Beaten and starved, dreadlocks were matted, bearded face, handsome features, once fine specimen,  With sure, steady strokes he propelled,  a cutthroat killer,  In one smooth motion the buccaneer swept up his flintlock,   His face was twisted in rage and bloodlust, his scream shrilly frightening.  festooned with weapons,  ‘ the hour of his vengeance was now. He felt good’,  crazed Sabbath,   like a hurricane,   heart beat like a racing horse  Like a wounded animal Sabbath snarled his pain,   face a twisted mask of rage.  Sabbath rose like a phoenix

> >

> >

Sinclair:  liked the feel of the whip in his hands.' …anticipation of another blow.'  It made him feel good.   A rich plantation owner,  Secretary-Governor and primary tax collector,   He was like Caligula,    a man of station and influence,  no leader of men. He was a politician and financier. hand shook as he fired the Dueller

> >

Others: pale redhead with an Irish accent., The henchman, old slave,   hard-eyed veterans

 
 
Sleep well, and remember, in the grand scheme of things I'm "nobody" just someone who got caught up in your initial post and got to wondering...
 
Terry


"If you confront the universe with good intentions in your heart, it will reflect that and reward your intent. Usually. It just doesn't always do it in the way you expect." Andreas Katsulas (G'kar) 1946-2006

http://www.zteamproductions.com/b5stuff/Andreas.html

 

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Dragon Angel
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   Posted 4/21/2006 10:09 AM (GMT -5)    Quote This PostAlert An Admin About This Post.
I think after reading these I can see how women might be offended enough by how women are described. Now, are there no descriptions of the men that emasculate them in the story?


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nathan
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   Posted 4/21/2006 11:10 AM (GMT -5)    Quote This PostAlert An Admin About This Post.
I emasculated the women, lol?

I started laughting a little after she posted the descriptions. The women descriptions seem more derogative (?) at first glance - then I started counting "bad" words and comparisons. My men are no heroes. They're killers and thieves who associate with whores to murder sadists. The men are often likened to animals - something not so with the women and the men seem guiltier of worse sins of violence and murder compared to the women - unless sex *is* the worse sin. That is if one views being a prostitute as "worse" than being a cutthroat murder who mutilates corpses.

I've written sex and violence with women being "sex" heavy and then men being "violence" heavy. Sterotypical, I agree but I'm not trying to reinvent the wheel, but rather tell dynamic paced stories. On the other hand [as I said above] my sterotype is 80 years old while if I were to reverse it the sterotype would be current.

I rather see it as a swashbuckler version of Frank Miller's Sin City. I write dark and it seems from the feedback that while it maybe okay to potray my males as shades of gray to do so with the women can be construed as misogynistic.

This has been a valuable insight - but it rather reinforces my belief that I need to avoid woman editors. BLOOD MERIDIAN was one of my first published stories [the 2nd] and not all of my stories are this stripped down - but it would be a lie to say I ever stray far off the reservation.

This was absolutely fascinating. Thank you much Terry.


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terry
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   Posted 4/21/2006 7:47 PM (GMT -5)    Quote This PostAlert An Admin About This Post.
nathan said...


I rather see it as a swashbuckler version of Frank Miller's Sin City. I write dark and it seems from the feedback that while it maybe okay to potray my males as shades of gray to do so with the women can be construed as misogynistic.

NO, NO, NO... It's not anything to do with 'shades of grey' in the women. OR The Men.
 
Simone was a powerful woman who wanted something and set out to get it by having Sabbath rescue Annette. Her background, given the historical setting of the story,fit, and to me it 'felt right' that she came to her position the way she did. It put me in the right historical context very well.
 
And so did the men. we're talking pirates and slavers and all that goes with that. Of course the men were 'Dark' and the women little more than possessions to the men.
 
I listed the descriptors YOU wrote; but you must unde