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Nathan Jerpe
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   Posted 7/12/2008 10:40 AM (GMT -4)    Quote This PostAlert An Admin About This Post.
Well I've been reading this, just got through the third part entitled House of the Ax. I've got a long way to go.
 
Actually as far as the language is considered it is an easy read, I think. There's an occasional twenty-five cent word or two, but there's also lots of dialogue and I feel like my page rate is higher than it is with most books. So those of you who are worried about sludging through difficult prose can rest assured, I think.
 
What is actually happening is a little bit harder to figure out, though. I think this is due in part to the protagonist having psychotic tendencies. This has actually bothered me on several occasions, made me wonder if Delaney is going down some thought roads that I'd rather not go down...
 
Still I think that some novels have a key that unlocks them, and Dhalgren just might be one. There's a quote at the beginning:
 
"You have confused the true and the real." - George Stanley
 
A simple sentence maybe, but I've puzzled over it for awhile. What does it mean for something to be real, and yet somehow false?


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Charles Gramlich
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   Posted 5/10/2008 6:09 PM (GMT -4)    Quote This PostAlert An Admin About This Post.
I think Delaney accomplished what he wanted to accomplish with "Dhalgren" but it was his cup of tea, not mine. I read it, but it was not a particularly enjoyable experience. I got less out of it than I have many more conventionally told tales. On the other hand, I have liked the vast majority of what Delaney has wirtten. I particularly enjoyed his biography, "the Motion of Light in water." Very helpful introduction to his character and work.


Charles Gramlich
 

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rimworlder
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   Posted 3/31/2008 9:11 PM (GMT -4)    Quote This PostAlert An Admin About This Post.
Its been at least 20 years since I last read Dhalgren.
 
I remember being totally fascinated by the whole thing, but I was lucky at the time I read it because I was actively attending conventions and there were plenty of people to talk to about it, including Chip himself.
 
I think one major trick to getting through the whole thing is to RELAX.  I'm gonna be pretty outre here and say that reading that book is like anal sex; if you don't relax, its gonna hurt like hell.  Given Chip's own inclusion of homosexual themes in the book, I don't believe I'm insulting him by saying that...
 
The book, at least on first read, is meant to wash over you; stop analyzing and just enjoy the pretty pictures; go for the feel and the raw emotions it engenders rather than looking for boy-meets-boy, girl steals boy from boy styles of plot.
 
The disaster is never explained;  its just a metaphor.
 
I think though that the thing I find most interesting about Dhalgren is that you can start it anywhere;  its both literally and figuratively circular (all good novels are supposed to come back to their beginnings or some such); it doesn't matter where you start and, when you get to the last page of the physical book, go back to the first page and continue from there.
 
This fact led to the contention that themes and characters in Dhalgren appeared and disappeared with every read, making it truly metaphysical. 
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Nathan Jerpe
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   Posted 2/23/2008 12:23 PM (GMT -4)    Quote This PostAlert An Admin About This Post.

I did a search on 'Dhalgren' and found this thread. Sounds like an intriguing book. I'd never heard of it before and it seems to be considered pretty seminal. Its going on my 'to read' list.

I've gradually become a fan of postmodern texts in recent years, and this sounds like it might be one. I don't mind puzzling out stuff and being baffled from time to time, as long as I get taken up into the heights now and then. I don't mind comprehension requiring a reread or two, if anything I almost welcome it.

Sometimes experimental prose can *do* things to an enthralled reader that no other medium can, be it film, television, theatre, even an audio recording of someone else reading it to you. The more you give the more you get.

Of course as Dave mentioned above, you have to weigh the work involved against the payoff. If the work tips the scales then might as well chuck it.


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bleacheddecay
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   Posted 6/25/2007 7:45 PM (GMT -4)    Quote This PostAlert An Admin About This Post.
So I've decide to give Dhalgren by Samuel R. Delany a 2.5 on a scale of 1-/5. This denotes my personal enjoyment level.

The book got this much because it had some wonderful wording, some intriguing ideas, some hot sex and decent violence. It might have gotten more if the book wasn't so surreal feeling or had told me what the city had been affected by.

The last part of the book nearly killed it for me with the formatting from hell. It's an interesting book. Not one I would care to read again, nor anything like it. Also not one I would ever wish to write or have the stones to expect it to be published the way it is.


bleacheddecay

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bleacheddecay
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   Posted 6/21/2007 9:49 PM (GMT -4)    Quote This PostAlert An Admin About This Post.
I see what you mean Dave.

Is all Delany's work supposed to be like this book though? My understand was that he had a big fan base in the more "normal" sci fi arena? This book was a big surprise and some say his masterpiece. I think.


bleacheddecay

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Dave Hardy
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   Posted 6/21/2007 7:04 PM (GMT -4)    Quote This PostAlert An Admin About This Post.
Well, IMHO, there's a difference between challenging literature with serious themes and just plain not connecting with your reader.

I like Kafka, but he is frustrating to read. I'm not sure if he expected his work to ever be published, so he could indulge in nightmares of pointless frustration. I could identify with it, expecially b/c I was living in Prague.

Kafka was a trifle pretentious in his tastes I think. He despised Meyrink, whose work I found delightful.

I've never read any Delany. It doesn't sound like my style.

I like an eperimental narrative style now and again, but not as a rule. Yes, it's important to push the envelope. But there's a reason we have an envelope, and it isn't b/c all us readers are dimwits. Narrative prose tends to fall into traditional forms b/c that's a good way to convey information. If you're gonna experiment, there had better be a damn good payoff.


Dave Hardy

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bleacheddecay
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   Posted 6/20/2007 3:24 PM (GMT -4)    Quote This PostAlert An Admin About This Post.
I would never dream of telling you or anyone else that.

*L*

I might think it but I'd never say it. In your case I wasn't even thinking it. I enjoy Shakespeare btw.

I actually was thinking a good conversation could come of this!

Metamorphosis was the one of Kafka that I read as well. I didn't like it. It made me feel like the writing was deliberately obscure and chaotic.

I have no problem with other people enjoying things I don't. I love talking about books. So that's where I'm coming from.


bleacheddecay

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Frank
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   Posted 6/20/2007 3:00 PM (GMT -4)    Quote This PostAlert An Admin About This Post.
The only Kafka I've read is Metamorphosis and I loved it! I don't know if I'd like his other stuff because I haven't tried any of it yet. Maybe I'd hate it, who knows?

Concerning challenging literature:
I started reading poetry, from Shakespeare and Coleridge to Raymond Carver and Bruce Boston, because I didn't get it. At first I couldn't tell good poetry from bad and I wasn't enjoying it. Now I can tell a good poem from a bad one and I love reading the good ones. I concede that experimental prose can be different matter to deal with compared to poetry, mostly because there are less established guidelines to help you along in your interpretation, and in the end pretentious crap is still pretentious crap no matter how it's delivered. But I wouldn't be too quick to dismiss challenging reading as a useless pursuit. (Of course, god pedlars say the same thing about reading the Bible and I still tell them to go **** themselves, so feel free to tell me the same...)
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bleacheddecay
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   Posted 6/19/2007 6:07 PM (GMT -4)    Quote This PostAlert An Admin About This Post.
I hope you do. If you do come back and let us know what you think okay?

I had to read some Kafka in college as part of a Supernatural Lit course. I did NOT enjoy it. I did have to consult a cliff note publication only to find out there was really noting new in there that I didn't already know.

Kafka certain made his stuff difficult!

Supernatural Lit was cool but not as cool as I had hoped.

I prefer to enjoy what I read. I tend to feel like characters are beloved friends I hate to part from.

I personally think its absolute rubbish to read that which we don't enjoy hoping it will challenge and improve us but, hey, each to their own.


bleacheddecay

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Frank
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   Posted 6/19/2007 4:57 PM (GMT -4)    Quote This PostAlert An Admin About This Post.
Some people, like Kafka, believed we should only read books that challenge us:

‘Altogether,’ Kafka wrote in 1904 to his friend Oskar Pollak, ‘I think we ought to read only books that bite and sting us. If the book we are reading doesn’t shake us awake like a blow on the skull, why bother reading it in the first place? So that it can make us happy, as you put it? Good God, we’d be just as happy if we had no books at all; books that make us happy we could, at a pinch, also write ourselves. What we need are books that hit us like a most painful misfortune, like the death of someone we loved more than we love ourselves, that make us feel as though we had been banished to the woods, far from any human presence, like a suicide. A book must be the axe for the frozen sea within us. That is what I believe.’

In a letter to his fiancee ..., Kafka wrote, "I am reminded of a teacher who, on reading [Homer's] Iliad to us, often used to say: 'Too bad one has to read this with the likes of you. You cannot possibly understand it, and even when you think you do, you don't understand a thing. One has to have lived a great deal in order to understand even a tiny snippet.'" Throughout his life, Kafka read with the feeling that he lacked the experience and knowledge necessary to achieve even the beginning of an understanding. [page 89]
 
(Those two paragraphs are from Alberto Manguel's A History of Reading, one of the most profound experiences contained between two boards that I've ever had. Twice I had the good fortune to meet Manguel and speak at length with him. The man's intellect, and his kindness, were voluminous.)
 
While this is a bit extreme and characteristically grim of Kafka, I do agree with some of what he's saying here. However, I enjoy both kinds of books: the ones that make us happy, that we read for comfort (like The Wind In The Willows) and I also like challenging books. I haven't read any of Delany's novels yet, but it sounds to me like I need to, and quickly...
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bleacheddecay
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   Posted 6/17/2007 7:52 PM (GMT -4)    Quote This PostAlert An Admin About This Post.
Okay, I'm calling this one done. I don't understand parts of it. I find it extremely irritating that the whole story is somewhat veiled but it had a compelling story nonetheless. I just feel a little cheated on the clarity front.


bleacheddecay

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bleacheddecay
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   Posted 6/16/2007 8:01 PM (GMT -4)    Quote This PostAlert An Admin About This Post.
Thanks for your responses. I thought the sex in it was pretty good. I thought some of the ideas and language was brilliant. It's just so NOT my thing.

I have found a place in the end of the epilogue to read a few pages which are not formatted to be nearly unreadable. I'm going to read them but I don't expect to be very illuminated by them.

About the typos; I think the one's in my copy are an intentional part of the formating. I don't know if that's what people were talking about or not. It's part of the story really, such as it is.


bleacheddecay

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MichaelEhart
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   Posted 6/16/2007 4:39 PM (GMT -4)    Quote This PostAlert An Admin About This Post.
Delaney is difficult at his clearest, and Dhalgren is not his clearest. I don't think it was ever meant to be read just as a novel. I find it alternately brilliant, exasperating, provovative, disgusting, fascinating and impossible, often times within the same few sentances. The old skiffy joke goes "Where are two places no one has ever been? The core of the sun and the middle of Dhalgren."
My first time through took 3 tries, and remember I suffered from chronic insomnia for over 20 years. Like a few other revolutionary works, like Ulysses and The Turn of the Screw it seems to be more fun for the critics to argue over than it is for a reader to enjoy.


"The Scarlet Colored Beast" The Sword Review, September 2007
"Nothing But Our Tears" The Sword Review. August 2007
"Weaving Spiders Come Not Here" The Sword Review, July 2007
"The View From the Shotglass Floor" Ray Gun Revival, coming soon!
"Six Zombies Doing That Mick Jagger Strut" Damned in Dixie, March 2007
"The Death of Number 23" Dark Krypt, Fall 2006
"Servant of the Manthycore" Sword Review, April 2006
"Voice of the Spoiler"  Better Fiction, Spring 2006
"Dancing with the Elder Gods"-- Thirteen Magazine, October 2005
"It's a Living" Byzarium---November 2005
"An Exorcism Straight, Hold the Elvis" The Sword Review, October 2005
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Jeff Stehman
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   Posted 6/16/2007 9:45 AM (GMT -4)    Quote This PostAlert An Admin About This Post.
I've never read it, but looking over the Wikipedia entry, it must be a very "interesting" book. :-)

Wikipedia said...
William Gibson calls Dhalgren "A riddle that was never meant to be solved."

Critical reaction to Dhalgren has ranged from high praise (both inside and outside the science fiction community) to extreme dislike (mostly within the community). Its lack of a linear plot, or even a discernible chronological narrative, its graphically-described homo-, hetero-, and bisexuality, Delany's "modernist" verbal pyrotechnics, and use of stream of consciousness writing has given it a reputation as a difficult novel.

Theodore Sturgeon called Dhalgren "the very best ever to come out of the science fiction field ... a literary landmark." By contrast, fellow writers such as Philip K. Dick and Harlan Ellison hated the novel. Said the latter: "When Dhalgren came out, I thought it was awful, still do.... I was supposed to review it for the L.A. Times, got 200 pages into it and threw it against a wall."


Doesn't sound like something I'd finish. The entry also warns about the huge number of typos in the earlier (and some later) editions. "Though the 17th Bantam printing (1985) marked a new high in the novel's textual accuracy, the gain became a loss when Bantam let the book go out of print. The 1996 Wesleyan edition constituted an entirely new typesetting, complete with its own unique errors and inconsistencies. Fortunately, Vintage Books was able to license the Wesleyan typesetting for use in its edition, and twice allowed extensive corrections to be made." If you decide to soldier on, at least help yourself out by making sure you have a reasonably clean edition. Good luck.


--Jeff Stehman

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bleacheddecay
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   Posted 6/16/2007 2:31 AM (GMT -4)    Quote This PostAlert An Admin About This Post.
I've been trying to read this book.

It is a book and author that a dear internet buddy of mine loves. We were each supposed to read it this month and then discuss it.

The problem is that it is either waaaaaay too deep for me or it is awfully complicated. I feel like I'm in college with an assignment that has to be not only read but torn apart, dug around in and analyzed to death. I always hated that sort of thing.

This may sound wrong but if what the author is saying is not clear to me because it is so very byzantine that I need to analyze it then I don't enjoy it. I prefer things be written clearly and up front.

Now I won't say it doesn't have some beautiful wording in it. It does. Or that the story isn't compelling at times because it is.

I just find it irritating that the why of the disaster that is the center of the book is left a deep dark mystery.

I've gotten to the epilogue which is formatted in a such way that has made me give up at last. Visually I just don't want to work that hard. I'll admit I can be lazy.

That's why I'm here. Who can tell me what deeper meaning if any this book has? Or what caused the disaster? Or give me any insight?

I'm really dreading the discussion with my buddy because people are passionate about their loves of books, movies, whatever it may be. I don't want to hurt her feelings. Still, this is not my cup of tea.

I feel like I'm missing out on a lot of subtext or something. Can anyone, just for my own edification help me out here?


bleacheddecay

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