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PK Lentz
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   Posted 6/10/2007 5:44 PM (GMT -4)    Quote This PostAlert An Admin About This Post.
Would you consider a humorous entry, e.g. Terry Pratchett territory, where the wizards can barely make water boil? I happen to have a story on exactly this theme, but it's not serious in the least.

Be honest - don't just say "yes" in the hope you can get a quick laugh before rejecting out of hand. :)
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Hamstersbane
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   Posted 6/4/2007 7:45 PM (GMT -4)    Quote This PostAlert An Admin About This Post.
That's a relief. I was starting to worry the story I was working on might  be something of a waste of time (at least the fact that I was working on it for this publication...writing is rarely, if ever, a waste of time in and of itself).


Jeff Parish
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Here there be writers.

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Bill Ward
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   Posted 6/4/2007 12:16 PM (GMT -4)    Quote This PostAlert An Admin About This Post.
And the same for Mondo Baroque, which is the third of three stories with any historical elements. The important thing in all cases is to have magic and mechanica infusing the world, whether it has historical elements or not isn't a big factor in acceptance.
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Rob Santa
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   Posted 6/4/2007 9:18 AM (GMT -4)    Quote This PostAlert An Admin About This Post.
Agreed. "Yellow River Swallows" would even be hard-pressed to be called historical fiction, I feel, since the tangential paths that create the setting and plot are non-specific with regards to historical accuracy. It, too, seems more like a fantasy with some parallels to our history, especially since magic is used in it. While I love to read historical fiction and alternate history, the mere presence of magic as a requirement seems to eliminate any chance of calling Magic & Mechanica stories as such.



Rob Santa
Hopelessly Addicted Writer of Speculative Fiction
and CEO of Ricasso Press

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Bill Ward
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   Posted 6/3/2007 11:08 PM (GMT -4)    Quote This PostAlert An Admin About This Post.
No, straight fantasy is actually prefered. Terminus is really only very tenuously alternate history, its more a fantasy with historical parallels.

It really doesn't matter what kind of fantasy, so long as its not science fiction, and does not feel like something taking place in the modern era.
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Hamstersbane
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   Posted 6/3/2007 10:44 PM (GMT -4)    Quote This PostAlert An Admin About This Post.
I'm seeing a lot of alternate history themes in these stories...would a "straight" fantasy type be a harder sell?


Jeff Parish
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Here there be writers.

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Rob Santa
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   Posted 6/3/2007 11:49 AM (GMT -4)    Quote This PostAlert An Admin About This Post.
I am very excited to add "Terminus" by Dru Pagliassotti and Jo Gerrard to the anthology. The Roman empire has expanded north, due largely in part to the wooden locomotives than span Europe. Powered by captive salamanders, controlled by elemental sorcerers, these machines are fearsome beasts to superstitious natives, almost as fierce as the dragon one encounters. A gripping and powerfully written piece, a testament to the authors' writing ability since this 7,100-word story flew by.

Current table of Contents: 9 stories, 47,000 words



Rob Santa
Hopelessly Addicted Writer of Speculative Fiction
and CEO of Ricasso Press

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kaolin fire
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   Posted 6/1/2007 6:46 AM (GMT -4)    Quote This PostAlert An Admin About This Post.
Daniel said...
If you want my advice, I'd say forego adding editor-contributed stories; it is really a "hang-up" no small press needs especially when they are just beginning. It may not hurt M&M inthe long run, but it won't do a lot to make Ricasso seem uber-professional right off the bat...


I'd ditto this, and some of the other commentary above (reviewers will ding you on it, writers will grumble, and readers won't notice--except if they were writers).

The other thing I'd like to bring to the pile of things to weigh is: a publication somewhere else isn't just money in your hands, it's better publicity for your antho. And that's publicity you can't buy, being digested by people already predisposed towards your work in some way. :)


Greatest Uncommon Denominator Magazine - literary + genre fiction, poetry, art, and articles
(see our submission guidelines)

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Bill Ward
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   Posted 5/31/2007 11:41 PM (GMT -4)    Quote This PostAlert An Admin About This Post.
@Scott, that's kinda borderline territory, as in scifi. If the bio-mechanical stuff is the only thing that qualifies in the story as mechanical then no, it more than likely won't fit the theme. If there are other varieties of 'mechanica' bio stuff won't hurt things at all. If you want to elaborate your idea to me in a PM I'd be happy to give you a more definite response. If you've already written it, just go ahead and send it.

@Dan, I understand exactly what you mean, and I share that view. I've also realized I'm more comfortable just focusing on the antho as an editor, and I haven't paid my dues with spec sales like Rob has to get past any potential knee-jerk negative perceptions reviewers or similar might have.
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Scott M. Sandridge
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   Posted 5/31/2007 10:58 PM (GMT -4)    Quote This PostAlert An Admin About This Post.
One question: can the mechanical aspect also be bio-mechanical? Like, say, living armor, and so such?
 
Which lich fell in the ditch?

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Daniel
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   Posted 5/31/2007 5:44 PM (GMT -4)    Quote This PostAlert An Admin About This Post.
Yeah, I hope everyone understands this is purely a subjective opinion and has nothing whatsoever to do with issues of quality. "It's a matter of...perception." And I was only thinking along those lines.

But I can see the virtue in printing a story from Rob and yourself in M&M because as someone pointed out upstream, Rob does have good name recognition and since you are the associate editor, it will be obvious to everyone that your story had to pass clearance.

What can often hurt when editors publish in their own venues is the perception that a) that's the only real reason they did the project b) they couldn't afford to pay other writers or didn't know how to attract them and (worst of all, I think) c) that the piece (s) in question had been rejected so many times by other venues that the editor had to start an antho or magazine just to find a place for their work!


Daniel

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Bill Ward
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   Posted 5/31/2007 1:53 PM (GMT -4)    Quote This PostAlert An Admin About This Post.
I've actually been thinking along those lines Dan, and decided I wouldn't submit anything to the antho for those reasons; in retrospect the point made here by you and others makes a lot of sense.

Now, Rob wrote a good story and it had to go through me and he's got a track record, so I think his contribution shouldn't raise any eyebrows (at least I hope it wouldn't). If he was the sole editor I could see the problem, but with two I'd hope readers understand that checks and balances come into play.

A good point though, especially as I hadn't considered what you are saying about reviewers and other industry types.
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Daniel
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   Posted 5/31/2007 12:38 PM (GMT -4)    Quote This PostAlert An Admin About This Post.

Now is probably as good a time as any to talk about my own contribution to the anthology. Back when this was a Pitch-Black project, I submitted a rock'em sock'em piece to Bill. He sent me a nice note following the tragic folding of PB letting me know he would have accepted the story had the project continued. On a lark, I wrote another, totally different piece, simply because of the inspirational nature of the antho concept. I showed it to Bill a few weeks back and he felt it was a stronger story than the other one. "You should think about putting it in M&M," he said. So I will, but not without saying something else

***

 

(late  reply I know!)

You could always publish under a psuedo....

The only "name" pub that I remember featuring the editor's work regularly was WEIRD TALES when Schweitzer was editor. I don't think that kind of publicity did much for WT among aspiring writers, but anyone in a given readership who is *not* a writer or aspriring writer probably couldn't care less if the editor (s) contributed something. Reviewers, however, will be certain to point this out and they may look on editor-contributed fiction with a jaundiced eye...or at least hold those stories to a higher standard.

If you want my advice, I'd say forego adding editor-contributed stories; it is really a "hang-up" no small press needs especially when they are just beginning. It may not hurt M&M inthe long run, but it won't do a lot to make Ricasso seem uber-professional right off the bat... OTOH, it might be a great move in that you'll be demonstrating your hands on approach toward SF! :wink:

Just my 2 cents, tho.....


Daniel

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Rob Santa
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   Posted 5/22/2007 3:53 PM (GMT -4)    Quote This PostAlert An Admin About This Post.
Going to post a table of contents, in no particular order. We're about halfway there.

Lawrence Barker, "Yellow River Swallows" - 2,300 words
Rob Santa, "Air Superiority" - 3,200 words
Nigel Long, "Mondo Baroque" - 7,900 words
Christopher Heath, "Azieran: Savior in a Flask" - 3,700 words
Chritopher M. Cevasco, "Gambit" - 6,900 words
Nik Hawkins, "Knowledge and Dust" - 7,100 words
Tom Williams, "Iron Hearts of Death" - 6,000 words
Jason Thummel, "Mortismagus" - 2,300 words
 
That's 8 stories, just under 40,000 words.

Apologies to Jason Thummel for not posting the acceptance of his story earlier. We've had it in the ToC for quite some time. Envision a sorcerer connected to machines and run through with tubing, followed by the hero that encounters him. That'd be the Mortismagus and Jason's fine tale of explosive action.



Rob Santa
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and CEO of Ricasso Press

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Rob Santa
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   Posted 4/26/2007 4:14 PM (GMT -4)    Quote This PostAlert An Admin About This Post.
Two stories to add to the table of contents...

"Iron Hearts of Death" by Tom Williams struck both Bill and I as a real romper stomper featuring a hardened sword swinger named John Humble in a tenuous truce with a neighboring people. Toss in some ugly, cyborg-like transformations and John Humble gets to display those skills several times. At 7,000 words there's plenty of action, and my tip o' the hat to Mr. Williams for making some pretty big edits to his original draft for us.

So, too, goes a salute to Nik Hawkins for his fine tale "Knowledge and Dust." Bill and I loved the opening and middle and - how to put this politely? - felt the ending lagged compared to the cleverness and originality of the rest of the piece. Nik gave us a great rewrite and turned this tale of a specialized sorcerer facing a machine that will make his life's craft obsolete into something focused and complete. A real winner at 6,000 words.

Current Table of Contents: 7 stories, 35,000 words (Nik's was that rewrite we were waiting on)



Rob Santa
Hopelessly Addicted Writer of Speculative Fiction
and CEO of Ricasso Press

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SC Bryce
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   Posted 4/22/2007 11:15 PM (GMT -4)    Quote This PostAlert An Admin About This Post.
Late chiming in here but: Having read your stuff, Rob, I'd say that your addition to the anthology is a selling point.


SC Bryce

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Rob Santa
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   Posted 4/21/2007 1:40 AM (GMT -4)    Quote This PostAlert An Admin About This Post.
The acceptance ratio for BDWD may sound fast, but as I'm approaching the 300-mark for submissions, having 15 or 16 acceptances isn't that high a ratio. M&M is a much more specialized theme, and we're just not getting tons of subs. What we are seeing, when it's appropriate for the antho (let's face it, some of them aren't), is a group of stories unlike any you've probably seen together in one place. Combining the magical element and the mechanical element is pretty rare; add to that it has to be done well enough for both Bill and I to want it in the antho, and the stories really have to stand out from the rest of the crowd.

We've received 30 submissions. About a half dozen of these never should have been sent to us; clearly they were some authors' trunk stories that either came to us as is or were superficially reworked to meet the guidelines. Having 5 stories in the ToC (and waiting on rewrites for a 6th) is a ridiculously high ratio of acceptances to submissions. But it's a themed market with peculiar requirements; write a story well that meets those requirements virtually guarantees success.

Look for another update shortly. We think we've got a story to add to the ToC but should probably wait until we tell the author first. :-)



Rob Santa
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BiggerBoat
Stablehand

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   Posted 4/20/2007 6:57 PM (GMT -4)    Quote This PostAlert An Admin About This Post.
Just curious ... how are submissions going for this anthology? I've noticed there seems to be more rapid-fire acceptances in the Black Dragon, White Dragon thread, but the the stories you've announced so far for M&M sound great.

I'm looking forward to both anthologies.
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Rob Santa
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   Posted 4/16/2007 11:02 AM (GMT -4)    Quote This PostAlert An Admin About This Post.
A paperwork update...

Contracts and payment went out to Messrs. Heath, Cevasco and Barker (Mr. Long lives in the UK and I have yet to work out payment options). I'm posting notice here as a triple redundant backup in case both the postal service and my email server devour their messages.



Rob Santa
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Bill Ward
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   Posted 4/3/2007 9:00 PM (GMT -4)    Quote This PostAlert An Admin About This Post.
The art is a huge draw as you can imagine, everyone that sees it oohs and ahs over it. It's actually done by two people, one artist does the line drawing and another does all the colors (on a computer I think); pretty awesome combonation. I don't think they've ever met one another either.

The magazine had a finite run and I learned alot working on it -- I miss having the deadlines actually as it really forced me to work. It was great fun writing serial fiction too, and having almost total control of the direction it went, well worth the stress.

Your new cat picture is much cuter than the alien ambassador featured in your last avatar by the way. ;-)
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Jordan Lapp
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   Posted 4/3/2007 6:19 PM (GMT -4)    Quote This PostAlert An Admin About This Post.
Yah, it was pretty big, but worth it. It's a beautiful magazine. The artwork alone is spectacular and the amount of fiction is stunning. It's gotta take a while to put something of that size together..


Jordan Lapp

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Bill Ward
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   Posted 4/2/2007 4:02 PM (GMT -4)    Quote This PostAlert An Admin About This Post.
Yes they are: it got changed to 'background and fiction' when it was apparant I was writing more history and descriptive stuff than shorts. Nearly everything without someone's name on it, or that isn't a rule mechanic or something, is mine.

Thanks for checking it out, I hope you had dsl or broadband for the download!
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Jordan Lapp
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   Posted 4/2/2007 12:59 PM (GMT -4)    Quote This PostAlert An Admin About This Post.
I checked out the magazine, Bill. I noticed your tagline at the start of the magazine, but it simply read "fiction". I did read some of the race/system descriptions. Were those yours?


Jordan Lapp

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Bill Ward
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   Posted 4/2/2007 12:27 PM (GMT -4)    Quote This PostAlert An Admin About This Post.
We hadn't really planned on it Howard, about the only thing that would fit with the theme would be a survey of its use in other literature. I suppose a historical article on the blured distinction between magic and science through the ages might work, but it would have to be sensational.

I liked the writer-oriented non-fic in the PB books, I think they were a savvy inclusion as a big chunk of the audience were writers, but I'm not sure if I want to 'break theme' to present general articles of that sort. Still, its something for Rob and I to think about.

Thanks for the kind words crystalwizard ;-)
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von Darkmoor
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   Posted 4/2/2007 10:01 AM (GMT -4)    Quote This PostAlert An Admin About This Post.
Curiosity question, fellas: Will there be any nonfiction pieces included, sort of along the lines of the PB anthos?


-----------------------------------------------------------------------------------
Jason

Ever waltz with the Devil? Or devil with a Waltz? Visit www.vondarkmoor.blogspot.com to find out.

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