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Jeff Stehman
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   Posted 3/2/2007 5:21 PM (GMT -5)    Quote This PostAlert An Admin About This Post.
Thinking about it while shoveling snow (at last!), I was wondering if this reflected a change in our culture. For example, there was a lot more press and talk over Pat Tillman's death--even prior to the controversy--than his joining the Army. I certainly heard the word "hero" used a lot more after his death, even though it was often said in connection with his decision to join the Army.

Has there been a change in our culture, or has dying always trumped living when it comes to otherwise equal heroic deeds?


--Jeff Stehman

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erazmus
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   Posted 3/2/2007 5:52 PM (GMT -5)    Quote This PostAlert An Admin About This Post.
The problem with living heros is you have to put up with them, true whether you live in viking times or today.
mike


Michael D. Turner
"Psyched Up" in _Turn the other Chick_-ed. E. Friesner-Baen books
www.baen.com
"Dutchman Rescue"in Continuum SF #6
www.continuumsciencefiction.com/orders.htm

"An Incident at Black Tongue Tavern" in _Bash Down the Door and Slice Open the Badguy_ from Fantasist Enterprises:
www.fantasistent.com/books/anthologies/BASH.php

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MichaelEhart
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   Posted 3/2/2007 6:13 PM (GMT -5)    Quote This PostAlert An Admin About This Post.
Mike, you are right about those in power fearing to empower someone who they can't control. They are not stupid people, overall, and they have eyes to see that the last election cycle was dominated by "fighting dems"--- folks who came back from the war and ran very strong campaigns against the folks who sent them there. That advantage is not given up lightly--- even unlikely candidates like, say Tammy Duckworth, who otherwise might not have gotten any attention at all, could not be dismissed because the street cred of coming back from Iraq minus her legs screwed the usual narrative completely. She lost, but not by very much, an Asian woman running against an old white guy in a pretty conservative district. And the Democrats success in the last election was heavily aided by running candidates like her, most of whom won.
Ain't no way they are going to pin a Blue Max on someone who might retire and run for office against them :)
Plenty of heroes of all stripes around, BTW. At a special ceremony (don't recall why anymore) at our church in our very military town a few years back for Veteran's Day, all the church members wore their uniforms and medals--- we had a MoH, a handful of silver stars, and a stunning number of just plain guys with all kinds of valor-type medals--- the old black elder had been a Tuskegee Airman, with a half-dozen kills.
Plenty of non-combat heroes around too. Firefighters, sometimes cops, sometimes a guy who just happens to be in the wrong place at the wrong time, and commits some selfless act at extreme risk to help someone in need. I stopped a rape once, scared me to death 'cause the guy was BIG, but in hindsight not that heroic because most guys would have done something---- the stewardess at the top of the ramp beats that all to hell, because she has the special knowledge that would let her get away first, if she chose to.


"The Scarlet Colored Beast" The Sword Review, September 2007
"Nothing But Our Tears" The Sword Review. August 2007
"Weaving Spiders Come Not Here" The Sword Review, July 2007
"The View From the Shotglass Floor" Ray Gun Revival, coming soon!
"Six Zombies Doing That Mick Jagger Strut" Damned in Dixie, March 2007
"The Death of Number 23" Dark Krypt, Fall 2006
"Servant of the Manthycore" Sword Review, April 2006
"Voice of the Spoiler"  Better Fiction, Spring 2006
"Dancing with the Elder Gods"-- Thirteen Magazine, October 2005
"It's a Living" Byzarium---November 2005
"An Exorcism Straight, Hold the Elvis" The Sword Review, October 2005
Host, 2005 Nebula Awards Live Chat, sff.net
http://mehart.blogspot.com/

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darkbow
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   Posted 3/3/2007 3:58 AM (GMT -5)    Quote This PostAlert An Admin About This Post.
I'll throw in something else with this discussion: Technology.
One reason I think many of those who deserve to be called heroes don't get recognition is because they don't look good on TV. I'm not saying they're ugly, or that they're idiots, but generally soldiers (and the average civilian) have little to no experience in dealing with the media. And they often have little experience in public speaking, or in speaking to a camera.
Earlier generations had their heroes, but the heroes only had to look good in a photo, or in text.

In the modern world, we often turn to our movie/fictional heroes because they look so darn cool on the screen.

Then there's the whole money factor. Sgt. Joe Schmoe coming home from Iraq might sell a few papers in his hometown, but he's not likely to bring big bucks to the networks or the major newspapers. However, Nick Cage can bring in millions with a motorcycle and a flaming skull (no, I'm not shooting down Cage or Ghost Rider, just stating things as I see them).

I'm not saying technology is a major factor, just one of many.


www.tyjohnston.blogspot.com

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Pamela J. Dodd
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   Posted 3/3/2007 11:31 PM (GMT -5)    Quote This PostAlert An Admin About This Post.
I'd have to agree with that. Being in the media spotlight seems to be necessary for a modern hero, and many folks aren't comfortable with that.

Exploiting heroism to drive profits seems almost like blasphemy in real life, but it is perfectly acceptable for fiction, whether on the page or on the screen. I suppose I am like much of the rest of our culture, in that I'm glad to lay down a few bucks to watch a "cool" hero on screen.

As for real life heros, maybe they just aren't mainstream enough. I guess I can just watch the military channel from time to time for a bit of inspiration.


Pamela J. Dodd
www.pamelajdodd.com

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nathan
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   Posted 3/4/2007 1:46 PM (GMT -5)    Quote This PostAlert An Admin About This Post.

I don't know if being in the media spotlight ='s a heroless society in a broader sense (though I think it rather interesting anthropological/sociological observation worthy of discussion) but I can say I agree with the statement to a certain degree from anecdotal evidence.

Did everyone see the movie Jarhead? Good movie, fair movie, accurate movie in a lot of ways. But I contend that the reason that movie got made was because it fed into some preconcieved Hollywood ideals about war and about what an acceptable "hero" is. Usually it is along the lines of: 'idealistic but articulate young man goes to war out of sense of duty. After experiencing the horrors of violence the hero undergoes a watershed moment and leaves a wise, less bellicose person who contemplates man's inhumanity to man in Hemmingway-esque style.' This is a Hollywood hero worthy of media spotlight.

My personal experience with 2 MoH winners left me with a slightly different version of the difference between those who live a warrior ethos and the soldier-poet (as archetype I mean) that story tellers and movie makers and to a degree journalists seem more comfortable with.

I can't remember my battalion Command Sergeant Major's name because no one ever called him by it. If they didn't call him Skelator they called him Smage (a bastardization of Saregeant Major and the name of the dragon in The Hobbit). He was 6'5" and like 120lbs with coke bottle glasses and so black he seemed to absorb light. He'd been in Vietnam and in Iran when the hostage rescue failed. He couldn't speak without using the f word--I think literally--he was violently homophobic, violently liberal-phobic because liberals=communists and communists=the viet cong who he never called anything but gooks and twenty years later he still hated the American-left for pulling him out of Vietnam where he had done 5 ("five") tours. Despite this the man gave off energy like a high voltage wire, again literally. You could stand next to him and you would have an overwhelming urge to touch the sleeve of his BDU like the hem of the pope or something. When we got called to the Chez border during state disolution and no one could make up their mind how the thing was going to be handled everyone was always like "if it goes down I hope Smage is here." I have no idea how the man got the MoH because the Battalion CO said he didn't know cause the record had been sealed as Classified (I swear I'm not making this up) but he'd "heard" it involved walking through machine gun fire like Superman. Sometimes for fun he lift his shirt and show his anorexic body where the he had six or seven bullet holes.

The other MoH I spent time around seemed a polar opposite. He was 5'2" and "pill-o-pino". He was called Brigade CSM "Happy" because he was cherubic and gregarious and always laughing, like a favorite uncle. In Vietnam the Army taught him Vietnamese and sent him out to inflitrate the VC(again, I swear I'm not making this up). He'd talk about being hit by American troops in an ambush and having to shoot back to not tip off the VC unit he was with. He got the MoH for calling in an airstrike on himself when he discovered he was in the bodyguard entourage for a North Vietnamese general and a Chinese advsior who were about to slip away into a place called Magic Moutain. He did it, he lived, no one knows how: they gave him the medal.

You'd think he'd be perfect for news cameras. Unfortunatly he had a slightly Osberger-condition when it came to talking about violence. He thought it great fun to talk about waking up in the middle of night and crawling along an enemy barracks in a tunnel and slitting the throats of men you had just eaten dinner with. If they'd interviewed him he'd probablly told them "funny stories" about hooking VC scouts to radio batteries so his LRRP team didn't walk into an ambush. Then if someone would have pointed out the conflicts that had with a "greater ideological struggle" he would have laughed like he'd heard a joke.

This is anecdotal. I've hardly met all the MoH winners and most who write books are a little better tempered in social appropriateness. But I do think this point is true: when dealing with "heroes" storytellers, whether press or hollywood, the media is much more comfortable with 'average man performs extrodinairly once' than with 'reincarrnation of dark age warrior lives the life Darwin intended.'

As a side note I think in writing this is played out in the genres of fantasy. Our media (as a collective) likes those fresh faced High Fantasy heroes. Meanwhile CSM's Happy and Smage would be more at home in a Karl Edward Wagner or Robert E Howard story.

Again, this isn't meant as a definitive argument, just as my personal observation based on specific, limited experience. Which is why when I hear things like "Support The Troops, Bring Them Home" I always raise an eyebrow thinking about Happy & Smage. They never said thank you and and remained bitter men that America supported them by bringing them home from Vietnam.

But they most certainly are NOT every soldier as a broad statement so I don't mean that as some kind of political argument in any way.


VIEW IMAGE
"Writing the wet dreams of teenage boys" - Lindsey Llyod, Tangent Reviews
 
Tarantino himself has been forward and unapologetic about his influences. In a 1994 interview with Empire magazine, he said, "I steal from every single movie ever made. If people don't like that, then tough tills, don't go and see it, all right? I steal from everything. Great artists steal, they don't do homages."

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MichaelEhart
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   Posted 3/5/2007 6:11 PM (GMT -5)    Quote This PostAlert An Admin About This Post.
"twenty years later he still hated the American-left for pulling him out of Vietnam"
This so cracked me up----
That would be the very pinko Richard Nixon? and of course his fellow-traveller and well known Marxist handler and mouthpiece Henry "Peace is at hand" Kissinger? :) You probably don't remember, but Nixon had been president for almost 4 years before Kissinger's announcement, and the war itself had been going on for over a decade, with the biggest escalation happening under Johnson. Kinda weird that the right is so willing to admit to being such pansies that a bunch of dirty hippie kids could force them to withdraw from a war that was going so well. At this time McGovern, the anti-war candidate, lost to Nixon 60%–38%, so in truth the evil left had very dang little political power in this country. Congress was under Democratic control, but it was a different Democratic party. Many dems were just as hawkish--- witness Senator Scoop Jackson, father of the neocon movement, who is still revered here in quite blue Washington State, but would have just as soon glassed Viet Nam.
The narrative of the left causing the exit from Viet Nam didn't really surface until a few years later; it seems to be an updating of the Dolchstosslegende --- that the US was somehow "stabbed in the back" by traitors and weaklings. In fact, it was pressure from the center from a population quite tired of a war that had gone on for a very long time with no discernable gains that caused Nixon to declare victory and get out. Just as it is pressure from Republican congresspeople fearing those 64% opposed to the war poll numbers who will eventually cause Bush to declare victory and leave.  
 
Praise well deserved to a man so willing to serve above and beyond, but I am unsure of his grasp of history, and I am not certain that is our society's responsibility to provide him with more opportunity to commit sanctioned homocide. :)


"The Scarlet Colored Beast" The Sword Review, September 2007
"Nothing But Our Tears" The Sword Review. August 2007
"Weaving Spiders Come Not Here" The Sword Review, July 2007
"The View From the Shotglass Floor" Ray Gun Revival, coming soon!
"Six Zombies Doing That Mick Jagger Strut" Damned in Dixie, March 2007
"The Death of Number 23" Dark Krypt, Fall 2006
"Servant of the Manthycore" Sword Review, April 2006
"Voice of the Spoiler"  Better Fiction, Spring 2006
"Dancing with the Elder Gods"-- Thirteen Magazine, October 2005
"It's a Living" Byzarium---November 2005
"An Exorcism Straight, Hold the Elvis" The Sword Review, October 2005
Host, 2005 Nebula Awards Live Chat, sff.net
http://mehart.blogspot.com/

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nathan
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   Posted 3/5/2007 6:37 PM (GMT -5)    Quote This PostAlert An Admin About This Post.

Well said Mike and I won't land in an argument about the political impact of left leaning media and cultural norms as viewed by a good portion of Vietnam vets that had remained in the military that I talked to. They almost always used a short hand of ignoring Nixon as a victim of polls driven by Jane Fonda.EDIT: I could resist this little jab smhair but...I gather from your posts that you were alive and kicking during this time. Do you attribute your difference in memory of the period also lived by the good Smage to your superior education, intellect, discernition? That is why would I think Smage doesn't grasp the history he lived but you have properly grasped the history you lived through? Just curious.

The point is rather that the your reaction and the reaction of pundits and academics (meant as genral statement and not in perjorgative) is pretty spot on when I talk about the actual personalities of some of the more successful war-fighter soldiers.

That is, there is a fundamental gulf in make-up (I'm led to speculate) between those arguing about war and those who make careers/lives in the midst of it.

That is not 'they right you wrong' but more of something along the lines of what Army General Thorson when speaking of Marines: "There are two kinds of people who understand Marines. Marines and the enemy. Everyone else has a second hand opinion."

Your response is my point. You wouldn't like Smage. Happy would creep you out. You are hardly an anomaly, which is also my point. I can only ask you to believe my hyperbolic-sounding statement that if you were in danger you would look to them as if to a lodestone.

What it takes to be a 'hero' is often unpalatable characteristics to people in the media or politics.

How much better a liberal (humanist not political left) heart that performs then contemplates the horror than the blue-collar ability of the minute-to-minute survival mentality.

Your gut reaction to my description was exactly what I was trying to illustrate in my experience--but I hasten to add again that these are not all medal winners I spent time with nor is my antedoctal experiences much more than exactly that; anecdotes.

Could you have lived as CSM Happy lived and performed? I doubt you'll ever find out--and I hasten to add I know I couldn't have--this isn't meant as a personal pissing contest. Rather I'm speaking to the point that many of our fittest warriors are completely un-camera ready.
 
Was this the case with Smith? Probablly not. I'm sure he voted democrat, was pro-choice, loved the classics and would have spoken elequonantly on camera, al a Bill Clinton (who I voted for x2). But he might have been an uncultured redneck unconcerned with the any of the larger political ramifications of what he was doing beyond defending those closest to him.
 
The question would be then, if he were put on camera and said he loved NASCAR and thanked god in a southern accent would people safely tucked away still sneer?



VIEW IMAGE
"Writing the wet dreams of teenage boys" - Lindsey Llyod, Tangent Reviews
 
Tarantino himself has been forward and unapologetic about his influences. In a 1994 interview with Empire magazine, he said, "I steal from every single movie ever made. If people don't like that, then tough tills, don't go and see it, all right? I steal from everything. Great artists steal, they don't do homages."

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nathan
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   Posted 3/5/2007 7:22 PM (GMT -5)    Quote This PostAlert An Admin About This Post.
I was typing a little fast as I had to pick my son up from school and that post reply came across as a little more political than I really want to sound. A conversation about heroes naturally segues into a a dialog about war heroes and there happens to be a war going on where more people know about Abu Gravib than Smith which opens a whole can of worms not germane to what Pam was really talking about.
 
Also I have to admit that I have long struggled between a percieved (on my part) division between intellectuals/academics/writers (who control and manipulate lanuge by vocation and among whose ranks I'd like to rise) and what I saw as the people 'getting it done' in heroic situations--beginning when I went to college after getting out of the military and hearing a political science (Ideas & Ideology) prof literally spend 5 minutes on Iraqi forces in Kuwait and the next two lectures on the highway of death situation as they fled before American forces. I was left with a deep distrust of certain thought processes and catch phrases and world views which I don't think need to color every discussion I have, so apologies if anything I wrote seemed to slanted.
 
Dean Koontz has made a rather opulant living discussing how the average person can act heroiclly in a terryifing situations. I think even in those books I don't like he's a consistent voice in this message. There are all types of heroes but it is often easier to discuss them in terms of war heroes because of the immedicy and stimulus-response of the examples.[if not my stellar spelling on 3 red bulls :-) )
 
Astronaughts risk their life everytime they sit on those bombs to get into space. They do it to advance society and science and mankind. Are they more or less brave than the soldier crossing a street underfire to drag someone to safety? Is the soldier more or less brave than the child of abusive parents who manages by sheer strength of will to grow up a decent successful person?
 
Does CSM Happy qualify as a decent succesful person on the same level as that child? If not, does that make what he did less?
 
Okay, I'm running on to avoid typing my workload, but I hope that came across a little better, Mike.


VIEW IMAGE
"Writing the wet dreams of teenage boys" - Lindsey Llyod, Tangent Reviews
 
Tarantino himself has been forward and unapologetic about his influences. In a 1994 interview with Empire magazine, he said, "I steal from every single movie ever made. If people don't like that, then tough tills, don't go and see it, all right? I steal from everything. Great artists steal, they don't do homages."

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MichaelEhart
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   Posted 3/5/2007 8:37 PM (GMT -5)    Quote This PostAlert An Admin About This Post.
No problem, I think I know what you were getting at.
You might be surprised at who I would be appalled at and who I wouldn't. No shrinking flower, I.
I grew up pretty hard, just off the res, in a cannery town. Steinbeck writ small and grubby. I know and have as friends some pretty harsh guys. I know who I would call if things got nasty.
Never seen combat, at 51 not likely to. Grateful to those who did, to the point that I am a far more fierce defender of many of the things many of them died for. My current gripes with the right is that they seem to be working overtime destroying those liberties in the name of security.

Neither here nor there, but I am the first generation that I know of not to serve, excepting my great-grandfather, who like me was just exactly the wrong age without seeking out service. I just missed Viet Nam--- my lifting partner in high-school was a year older and came back under a flag. No lottery my year. There was a Michael Ehart and a Michael Ehart Jr. who served in the French and Indian wars and Michael the younger later was a provisioner for the Continental Army during the revolution. Everyone male over the age of 15 failed to return from the War of Northern Aggression; widows relocated in New Mexico and Kansas. My grandfather on my mother's side was a runner in the Great War and was wounded at Saint-Mihiel. My dad was Marine Recon during the worst of Korea.

Different people see history, especially the parts they lived through, in different ways. As I was political from my early teens, I have a tendancy to see things from that perspective. I would certainly not argue with someone who was on the ground about the contitions there, or their experience.

Heroes come in all flavors, and I for one would rather read about someone ordinary doing something extraordinary, than the whining self-indulgent dribblings of some junior college lit teacher from the midwest that has become the staple of "serious literature". I like to write about such folks, too. As Casanova said "There is within even the meanest breast the tinder of heroism that awaits only the needed spark." Of course, he was a bit of a romantic, but then so am I.


"The Scarlet Colored Beast" The Sword Review, September 2007
"Nothing But Our Tears" The Sword Review. August 2007
"Weaving Spiders Come Not Here" The Sword Review, July 2007
"The View From the Shotglass Floor" Ray Gun Revival, coming soon!
"Six Zombies Doing That Mick Jagger Strut" Damned in Dixie, March 2007
"The Death of Number 23" Dark Krypt, Fall 2006
"Servant of the Manthycore" Sword Review, April 2006
"Voice of the Spoiler"  Better Fiction, Spring 2006
"Dancing with the Elder Gods"-- Thirteen Magazine, October 2005
"It's a Living" Byzarium---November 2005
"An Exorcism Straight, Hold the Elvis" The Sword Review, October 2005
Host, 2005 Nebula Awards Live Chat, sff.net
http://mehart.blogspot.com/

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nathan
Sage



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   Posted 3/5/2007 10:24 PM (GMT -5)    Quote This PostAlert An Admin About This Post.
Well said, Mike. I try never to argue with romantics, though they are naturally hardy so few of them survive in the wild. :-) Plus you lift and I might meet you at a conference some day.


VIEW IMAGE
"Writing the wet dreams of teenage boys" - Lindsey Llyod, Tangent Reviews
 
Tarantino himself has been forward and unapologetic about his influences. In a 1994 interview with Empire magazine, he said, "I steal from every single movie ever made. If people don't like that, then tough tills, don't go and see it, all right? I steal from everything. Great artists steal, they don't do homages."

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MichaelEhart
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   Posted 3/6/2007 1:09 AM (GMT -5)    Quote This PostAlert An Admin About This Post.
LOL, haven't lifted in years--- the other Mike is the one you need to watch out for :)
Any word on when y'all are moving to the upper left corner? There are great cons here, OryCon in Oregon, and Norwescon, RustyCon and Radcon in Washington, and VCon in Vancouver BC.


"The Scarlet Colored Beast" The Sword Review, September 2007
"Nothing But Our Tears" The Sword Review. August 2007
"Weaving Spiders Come Not Here" The Sword Review, July 2007
"The View From the Shotglass Floor" Ray Gun Revival, coming soon!
"Six Zombies Doing That Mick Jagger Strut" Damned in Dixie, March 2007
"The Death of Number 23" Dark Krypt, Fall 2006
"Servant of the Manthycore" Sword Review, April 2006
"Voice of the Spoiler"  Better Fiction, Spring 2006
"Dancing with the Elder Gods"-- Thirteen Magazine, October 2005
"It's a Living" Byzarium---November 2005
"An Exorcism Straight, Hold the Elvis" The Sword Review, October 2005
Host, 2005 Nebula Awards Live Chat, sff.net
http://mehart.blogspot.com/

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Dave
Master of the Domain



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   Posted 3/6/2007 12:00 PM (GMT -5)    Quote This PostAlert An Admin About This Post.
I don't think so much it's a lack of heros, but rather a shift in the culteral definition of a hero that is at odds with teh definition most of us grew up with. There’s been an change in not only what heroes do, but what makes a hero at all. Any comic book reader knows that what separates heroes from evildoers is their unwillingness to kill, torture, or even personally punish the guilty. Restraint, in and of itself, is a heroic attribute. … You can’t transgress ever, or you blur that line separating you from your enemies.

As an example, I'll point to 24’s Jack Bauer. That character is the antithesis of that attitude. His heroism stems from his brutality, his willingness to dissolve every ethical boundary in pursuit of higher ends. His is a heroism for a weak and scared nation, one that’s decided the old ways of restraint and ethical exceptionalism are insufficiently effective and is trying to convince itself that a loosening of those bonds could restore order and security.

In simplest terms, heroism today seems to be more judged by the ends with out much consideration given to the means.


Dave
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nathan
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   Posted 3/6/2007 12:43 PM (GMT -5)    Quote This PostAlert An Admin About This Post.
Alright this conversation has gone too far. When you start bad mouthing Jack Bauer you might as well slap a man's mother. It reminds of that Fred Nietche quote:

"Verily have I often laughted at weaklings who thought themselves good because they have no claws."

(note: just teasing Dave. I have about a hundred quotes I've culled as chapter headers and I'm dying to use them<g>) Plus my favorite heroes were Wolverine and Punisher not Superman and Spiderman :p

Mike, I'll be in Oregon come late summer it seems.


VIEW IMAGE
"Writing the wet dreams of teenage boys" - Lindsey Llyod, Tangent Reviews
 
Tarantino himself has been forward and unapologetic about his influences. In a 1994 interview with Empire magazine, he said, "I steal from every single movie ever made. If people don't like that, then tough tills, don't go and see it, all right? I steal from everything. Great artists steal, they don't do homages."

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Dave
Master of the Domain



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   Posted 3/6/2007 1:58 PM (GMT -5)    Quote This PostAlert An Admin About This Post.
So does that mean you approve of today's cultural definition of a hero? One who consumates justice on his or her own terms without regard to the means of execution? That the ends justifies the means, regardless of that means? How does one make a distinction between violence perpetrated for eveil and violence perpetrated for the sake of good?

"What difference does it make to the dead, the orphans, and the homeless, whether the mad destruction is wrought under the name of totalitarianism or the holy name of liberty and democracy?" -- Ghandi


Dave
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nathan
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   Posted 3/6/2007 2:10 PM (GMT -5)    Quote This PostAlert An Admin About This Post.

I have to admit I lean towards a ends justifying means if we allow it to exist on a continuum and not as a hyperbolic dicotomy. Means are by definition transitory while ends are the remainder.

Theoretical ideology has a way of sliding so far that one can become impotant or irrelevant by doers. Besides I strongly deny the argument of moral equivilancy: i.e. they do something & we do something so we are the same or no better. I find it a slipery slope argument more concerned with ideological purity than with gaining lasting results. As a matter of IMO only.

For example only: Sadaam killed Iraqis: he was a villian. But the US is killing Iraqis also: ergo we are villians or no better. Nonsense.

To remove actions from intent and context is a good way to end up completely irrelevant to any situation. I'm not saying you are all these things Dave, just explain how I considered different ideologies then chose a side while realizing no belief system is without flaws.

EDIT: I thought this a better quote for Ghandi: "Better an end with horrors than horrors without end"--Greek peasant motto in uprsing against the Ottoman Empire



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"Writing the wet dreams of teenage boys" - Lindsey Llyod, Tangent Reviews
 
Tarantino himself has been forward and unapologetic about his influences. In a 1994 interview with Empire magazine, he said, "I steal from every single movie ever made. If people don't like that, then tough tills, don't go and see it, all right? I steal from everything. Great artists steal, they don't do homages."

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erazmus
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   Posted 3/6/2007 2:22 PM (GMT -5)    Quote This PostAlert An Admin About This Post.
I think that how a culture defines its heros is pretty much a reflection of how it defines itself, and that part of the problem today is that we no longer have a homogenous culture but rather two, with both at odds with each other. The culture that I grew up in is largely sitting quiet and the other is mostly a chimera, strong in certain areas but accutely aware it is still in the minority.

Warriors do not exemplify any values of the American left. The heros of that left do not resonate well with the slumbering masses of the American center. Niether do the heros of the (far smaller) American "right", what ever that is. Thus no heros. No side wants to stand up and be accountable for a concrete example of the values they espouse, and the middle is, as it usually has been throughout history, busy doing all those other things that people do when not engaging in public discourse (ie. working, paying taxes and trying to get their kids into college).

No heros is safer and easier. Its also why it is so hard to sell a war, any war, to the public. Joe-guy-on-the-street expects to see heros, guys standing and getting medals pinned on their chest, when ever we send our guys out to do the nasty to someone in the name of freedom and democracy. I know I do. With one side in favor of the war, one side against and the middle in play, I understand why Liberals don't want to talk about who did what well in Iraq, I don't understand why pro-war conservatives don't spend more time on it, though.

Mike


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"Dutchman Rescue"in Continuum SF #6
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"An Incident at Black Tongue Tavern" in _Bash Down the Door and Slice Open the Badguy_ from Fantasist Enterprises:
www.fantasistent.com/books/anthologies/BASH.php

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Dave
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   Posted 3/6/2007 2:26 PM (GMT -5)    Quote This PostAlert An Admin About This Post.
I doubt the method of their demise much matters to those who are dead... and probably not much to those who are living as well. I would image we are all seen as villians.

"Once and for all the idea of glorious victories won by the glorious army must be wiped out. Niether side is glorious. On either side they're just frightened men messing their pants and they all want the same thing - not to lie under the earth, but to walk upon it - without crutches." -- Peter Weiss

My original point is hero worship in society today seems to have shifted more toward the Punisher/Wolverine/Batman model (as you yourself admit) than the Superman model. We seem to admire those who operate outside accepted societial norms to dish out justice and retribution.

"Many that live deserve death. And some that die deserve life. Can you give it to them? Then do not be too eager to deal out death in judgement." -- Gandalf


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nathan
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   Posted 3/6/2007 4:05 PM (GMT -5)    Quote This PostAlert An Admin About This Post.
Dave said...
My original point is hero worship in society today seems to have shifted more toward the Punisher/Wolverine/Batman model (as you yourself admit) than the Superman model. We seem to admire those who operate outside accepted societial norms to dish out justice and retribution.
     I freely admit, or admit it at least at it concerns myself. I can speak in the positive about me and I suppose we can then extrapolate in the larger.
 
I watched Lone Ranger and Gunsmoke reruns as a kid--the whole shooting the gun out of the bad man's hand thing. I first read Batman (old Batman not Frank Miller Batman) and Superman and F-4 as an introduction in comics. I loved them. Then I picked up a Wolverine X-Men and that guy jumped of the pages at me. When I stumbled onto the reintroduction of Punisher at a slightly older age that felt like an electric current. Why? I guess because even as a kid the others seemed a little too clean, a little to pie-in-the-sky. At least those other guys were getting their hands bloody and even though I couldn't articulate it then I think it resonated that the ideal of justice (if you will) is pure but the execution of justice is messy. That messiness has to be embraced as inevitable if one is going to not proselytise but indded act.
 
Also, cynisism. These heroes act outside of the system because the system itself is suspect--whether left or right ideals or administrations is in charge. Also an awareness that the philosophical underpinnings of the society can be preverted or exploited by those who want the system to be destoryed.
 
Example: The mob was a horrible almost insurgent group in Italy when the government there decided enough was enough in the 80's. They tried to crack down on them using the justice system which was close enough to ours to use as comparison. What they found was, if a prosecutor brought a case to trial he was killed. If a judge handed down a hard sentence he was killed. Accussers and witnesses were killed. Jury's families were killed if they showed up. You had anarchy. Same thing in Columbia.
 
The system which was the fundamental philosphical underpinning of the concept of justice in Italy crumbling in the face of ruthless dedication. How did they "win"? They arrested people but didn't let them see lawyers. No lawyers no information on who was pushing the case or where it was being pushed. Accussers were allowed to remain nameless so they and their families weren't killed. No warrent searches were instituited to facilitate lightening raids, etc all.
 
It worked; they broke the back of the monolythic mafia monster in modern Italy and returned, once the immediate violence had ended, to more normalized law enforcement.
 
There are people, ideological purists who are aghast at what Italy did. They would have continued living under a system of legal ancarchy and violent intimidation rather than shift paradigms and win.
 
The Jack Bauer character does not meet the dirty fighter with Marquis of Queensberry's Rule. "He" meets them eye gouge for eye gouge in the fight. The difference then between that character and the one he fights? Why, what they are fighting for of course.
 
I would like now to take your Peter Weiss quote and use it on my side :p
as I see it not as an argument to not fight but to accept that truth that all fighting is ugly and it is only the cause that seperates the combatants. As for Gandalf (stud quoting Gandalf btw):

"It is not the critic who counts, not the man who points out how the strong man stumbled, or where the doer of deeds could have done better. The credit belongs to the man who is actually in the arena; whose face is marred by the dust and sweat and blood; who strives valiantly; who errs and comes short again and again; who knows the great enthusiasms, the great devotions and spends himself in a worthy course; who at the best, knows in the end the triumph of high achievement, and who, at worst, if he fails, at least fails while daring greatly; so that his place shall never be with those cold and timid souls who know neither victory or defeat."

THEODORE ROOSEVELT (Paris Sorbonne,1910)

EDIT: you should note I'm not trying to out argue you or "prove" you wrong, Dave. I think what you're submitting has merit. I personally think it unworkable and naive--but I could be obstenate and unprincipled--and a horrible speller. I'm just trying to show that when weighing out arguments I came down on the side of a certain (I feel) more pragmatic approach than you choose to embrace. I find your belief system to be a more humane one. I just don't know if it is one that can face ruthless, violent opposition and survive. Thus my hesitation.


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"Writing the wet dreams of teenage boys" - Lindsey Llyod, Tangent Reviews
 
Tarantino himself has been forward and unapologetic about his influences. In a 1994 interview with Empire magazine, he said, "I steal from every single movie ever made. If people don't like that, then tough tills, don't go and see it, all right? I steal from everything. Great artists steal, they don't do homages."

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Jeff Stehman
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   Posted 3/6/2007 4:14 PM (GMT -5)    Quote This PostAlert An Admin About This Post.
Dave said...
My original point is hero worship in society today seems to have shifted more toward the Punisher/Wolverine/Batman model (as you yourself admit) than the Superman model.

I've always preferred grey-area fictional heroes because I see them as more realistic. That doesn't mean that's what I want to see in real-life heroes.

A common theme in the heroes I write is tha